Blank-Space Crayon Travel Gesture Diptych Poster

Please make each photo I upload into a separate original-versus-crayon comparison poster titled 「SPARSE CRAYON TRAVEL GESTURE｜留白蜡笔旅行姿态」, not a multi-image collage.

This style applies both to single animals with clear outlines and poses, and to travel objects with clear single-object silhouettes, such as suitcases, cameras, hats, shoes, coffee cups, pottery, bicycles, roadside benches or small souvenirs.

Overall, use a vertical top-and-bottom diptych structure, with the upper and lower areas each taking roughly 50%, and a clear, straight boundary between them.

The upper half faithfully preserves the original photo. Accurately keep the animal's or object's identity, quantity, pose, orientation, outer contour, key structure, light and shadow, and real environment, with only slight photo-editing color grading. Do not change the subject or illustrate the photo area.

The lower half uses extreme reduction and distillation.

If the subject is an animal, keep only the most important ear shape, head-to-body proportion, tail direction, sitting or standing posture and expression.

If the subject is a travel object, keep only the outer contour, handle, wheels, lens, cup rim, folds, straps or wear features that define its identity.

Remove nearly all background, keeping only a short ground line, a wall corner, a stone or one to two slight clues that indicate the usage setting.

Use hesitant, broken, slightly pausing black crayon outlines, plus one to two light crayon rubbings in colors extracted from the original photo. Allow overshooting lines, paper grain, unfilled areas, repeated outlines and local lifting of the crayon.

Do not fill the subject completely. Let the white paper itself form the animal's body, the object's surface and the surrounding space. Travel objects must not be drawn as fine product illustrations or precise industrial drawings.

The subject occupies roughly 38%—58% of the width and 30%—52% of the height of the drawn area, usually placed in the lower middle or slightly offset to one side. Continuous warm white paper space must be at least 55%.

In a quiet area of white paper, add a short English title, a `CRAYON STUDY 01`-style field, and one observation sentence based on facts from the photo. The text uses the same slightly wobbly crayon handwriting as the image and must be clearly legible.

Avoid fine fur, cute vector mascots, full coloring, dense scribbles, complete backgrounds, smooth digital pencil, fine product illustrations, overly small text, author signatures, logos and watermarks.

请将我上传的每一张照片分别制作成一张独立的
「SPARSE CRAYON TRAVEL GESTURE｜留白蜡笔旅行姿态」
原图对比海报，不多图拼接。

这套风格既适用于轮廓与姿态清楚的单只动物，也适用于旅行途中具有明确单体轮廓的物件，例如行李箱、相机、帽子、鞋、咖啡杯、陶器、自行车、路边座椅或小型纪念物。

整体采用竖版上下双联结构，上下区域各占约50%，中间边界清楚平直。

上半部分忠实保留原始照片。准确保持动物或旅行物件的身份、数量、姿态、方向、外轮廓、关键结构、光影与真实环境，仅进行轻微编辑摄影调色。不得改变主体或将照片区域插画化。

下半部分采用极端缩小提炼。

如果主体是动物，只保留最重要的耳形、头身比例、尾巴方向、站坐姿态和表情。

如果主体是旅行物件，只保留决定其身份的外轮廓、把手、轮子、镜头、杯口、折面、绑带或磨损特征。

删除几乎全部背景，只保留一小段地面线、墙角、石块或一至两条能够说明使用现场的轻微线索。

使用迟疑、断裂、略带停顿的黑色蜡笔轮廓，以及一至两块从原照片提取的浅色蜡笔擦画。允许越线、纸齿、未填满、反复描线和局部停笔。

不要把主体完整涂满。让纸白直接构成动物的身体、物件的表面以及周围空间。旅行物件不能画成精细产品插画或准确工业制图。

主体约占转绘区域宽度的38%—58%、高度的30%—52%，通常放在中下部或略微偏向一侧。连续暖白纸张留白不少于55%。

在一块安静的纸白区域加入一个简短英文标题、`CRAYON STUDY 01`式字段和一句来自照片事实的观察文字。文字使用与画面相同的略微晃动的蜡笔手写字，必须清楚可读。

避免精细毛发、可爱矢量吉祥物、完整填色、密集涂鸦、完整背景、光滑数字铅笔、精细产品插画、过小文字、作者签名、Logo和水印。