Fabric-Collage Travel Memory Poster

Create a separate premium fabric-collage memory poster for each travel photo I upload. Output each photo separately; do not combine multiple images into a collage. Use an overall 3:4 portrait composition. The finished image must clearly show both the original photograph and a fabric-art reinterpretation of the same scene.

Retain about 46%–52% of the original photo at the top, faithfully preserving the subjects' identity and number, poses, architectural structures, layers of landscape, horizon, roads, water, real materials, natural light and shadows, and original colors. Apply only subtle travel-magazine and art-publication color grading. Do not stretch or mirror the photo, change its subjects, or turn it into an illustration.

At the bottom, use warm natural linen, old cotton, or faded fabric as the base. First identify the ridgelines, clouds, buildings, tree groups, water, roads, people, animals, or vehicles that truly define the scene, then simplify it into 4–8 main fabric layers. Reorganize the same scene using faded cotton, coarse linen, denim, plaid, corduroy, old shirt fabric, gauze, and a very small amount of yarn. Every fabric piece must correspond to real spatial relationships in the photo; add no unrelated decoration.

Keep the fabric layers' real weave, washed-out fading, frayed edges, loose threads, creases, overlapping patches, and slight thickness. Use uneven hand-stitching, overcasting, backstitching, and a small amount of embroidery thread to emphasize the subject's outline, ridgelines, reflections, or direction of movement. Stitches may be hesitant, loose, and unevenly spaced, but should not look like a polished craft sample. Depict people and animals with only small pieces of fabric and stitches, preserving their number, pose, and direction without drawing facial features.

Use a physically structured secondary composition below: the fabric-collage subject should occupy about 58%–76% of the reinterpreted area. It may be reduced to a separate small scene or built from a few large fabric layers to create a strong silhouette; do not reproduce the photo's entire frame proportionally. Leave at least 25%–40% of continuous visible linen or old cotton as open space around the collage.

Extract and soften the colors entirely from the original photo. Prioritize retaining one color that most identifies the location, and harmonize the rest using low-to-medium-saturation faded textile colors. Do not default to a country-floral print or an orange-and-blue palette.

In the blank space below, add a title of 1–3 English words, a woven-label-style number, and an observation sentence of 5–10 English words. Make the title look like slightly uneven hand-embroidered lettering. Make the fields and observation sentence look like an old fabric label or fine stitches sewn onto the base fabric, and keep them clearly readable at normal preview size. The text must come from places, actions, weather, or colors genuinely visible in the photo. If the location cannot be confirmed, use a scene theme instead; do not invent place names or dates.

The overall mood should be warm, quiet, handmade, and timeworn, like a travel memory preserved for posterity.

Strictly avoid: paper collage, torn-paper edges, pure felt art, tufted rugs, crochet dolls, polished embroidery samples, lace and buttons, journaling clutter, printed-photo patches, smooth vector color blocks, synthetic plastic fabric, children's crafts, filling the entire bottom area, a fixed sunset palette, author names, signatures, logos, QR codes, watermarks, and garbled text.

请将我上传的每一张旅行照片分别制作成一张独立的高级布艺拼贴记忆海报，每张照片单独输出，不多图拼接。整体采用3:4竖版构图，成品中必须同时出现清楚可辨的原始摄影与同场景布艺转绘。

上方保留原始照片约46%–52%，忠实保持主体身份、数量、姿态、建筑结构、山水层次、地平线、道路、水面、真实材质、自然光影和原有色彩，只进行轻微旅行杂志与艺术出版物调色。不得拉伸、镜像、改变主体或把照片画成插画。

下方使用温暖的天然亚麻、旧棉布或褪色织物作为基底。先理解照片中真正决定识别度的山脊、云层、建筑、树群、水面、道路、人物、动物或车辆，再将复杂场景压缩成4–8个主要布层。使用褪色棉布、粗亚麻、牛仔、格纹布、灯芯绒、旧衬衫布、纱布和极少量毛线重新组织同一场景；每块布都必须对应照片中的真实空间关系，不添加无关装饰。

布层保留真实经纬纹、洗旧褪色、毛边、抽丝、折痕、补丁叠压与轻微厚度。使用不均匀手缝线、锁边、回针和少量刺绣线强调主体轮廓、山脊、倒影或运动方向。针脚可以迟疑、松动、疏密不一，但不要做成精致工艺品样板。人物和动物只用小块布与线迹概括，保持数量、姿态和方向，不描绘五官。

下方采用实体结构化的二次构图：主体布艺拼贴占转绘区约58%–76%，可以缩小成一块独立布景或以少量大布层形成强轮廓，不要沿用照片的完整取景等比例重做。拼贴周围至少保留25%–40%连续可见的亚麻或旧棉布空场。

颜色完全从原照片提取并柔化，优先保留地点最有识别度的一处颜色，其余统一为低至中等饱和的旧织物色。不要固定套用乡村碎花或橙蓝色盘。

在下方留白中加入一个1–3个英文单词标题、一个织标式编号和一行5–10个英文单词观察句。标题像略微不齐的手绣字，字段与观察句像缝在底布上的旧织标或细针脚文字，正常预览尺寸下清楚可读。文字必须来自照片真实可见的地点、动作、天气或色彩；无法确认地点时使用场景主题，不虚构地名和日期。

整体气质温暖、安静、手工、旧物感，具有被保存下来的旅行记忆。

强制避免：纸拼贴、撕纸边、纯毛毡画、簇绒地毯、钩针玩偶、精致刺绣样板、蕾丝纽扣、手账杂物、印刷照片补丁、光滑矢量色块、塑料合成布、儿童手工、下半完全铺满、固定日落配色、作者名、签名、Logo、二维码、水印、乱码。