旅行照片橡皮章田野笔记海报

请为我上传的每张照片分别创作一张独立的“橡皮章旅行田野笔记海报”，每张照片单独输出，不要拼贴或多图组合。
整体采用4:3横向构图，将画面分为左右两个区域，但不要画出明显的分隔线。
左侧约占画面的58%，忠实保留原始照片。准确保持主体身份、地形、建筑、植物、人物、空间关系、自然光影、真实质感以及原有的色彩氛围；仅做克制的艺术出版物级调色，并加入极其细微的细颗粒胶片噪点。为适应版面，允许自然裁切，但不得拉伸、扭曲、移位、替换或重绘主体。
右侧约占画面的42%，以暖米白色的做旧纸张为背景。纸张带有细微纤维、自然纹理、轻微的使用痕迹和哑光质感，同时保留大片未印刷的纸面留白，使空白成为版面的重要组成部分。
分析原始照片，提取最能体现地点特征的主体轮廓、建筑结构、地形轮廓、植物形态、道路、海岸线或其他关键视觉关系，将其压缩成一枚小型多色橡皮章图案。
不要逐一复刻照片中的每个元素。只保留能让人立即辨认出原始地点、主体和场景关系所必需的最少信息。去除人群、车辆、密集的窗户、重复的建筑、零碎的植被、装饰元素和无关的背景。
印章位于右侧纸面的中下部，仅占右侧区域高度的约30%–38%，四周保留充足的留白。印章不得被放大成标准插画、完整的风景画或品牌标志。
根据原始照片的构图决定印章的组织方式：
 * 标志性建筑：保留最具特色的外轮廓、屋顶、穹顶、拱门、塔楼或主体结构。
 * 山地聚落：将建筑压缩为几块沿地势排列的梯田式色块。
 * 海岸风光：保留山体轮廓、聚落层次、海岸线和稀疏断续的水波纹。
 * 城市全景：保留主要天际线、一座标志性建筑以及一两层远山。
 * 自然景观：保留主要的山形、树木、海岸线或道路走向。
 * 前景遮挡物：若在原照片中对叙事很重要，则作为前景印章轮廓保留。
从原始照片中提取2–4种专色油墨。优先选用碳黑、深绿、砖红、赭黄、石板蓝或灰褐等低饱和颜色，但不要强行套用固定色板。保留原照片中最具特色的色彩气质，仅允许小面积用色来强调视觉重点。
将每种颜色渲染为单独手工盖印的效果：
真实的橡皮章雕刻质感、手工刻痕、粗细不均的线条、轮廓缺口、边缘断裂、干墨缺失导致的露白、纸面透出、颗粒感油墨、压力不均、局部重影，以及约1–2毫米的轻微套印错位。
允许各色层之间自然错位；边缘不得经过数码平滑处理。成品应像真正的雕刻印章压印在做旧纸张上，而不是滤镜处理过的照片、光滑的矢量插画或线稿标志。
根据照片的地点、主题和视觉意象生成文字：
地点英文名称
No. 编号
三个简短的英文关键词
公历年份
将文字放在印章下方或旁边的留白处，使用小号、克制、略带机械瑕疵的打字机字体。排版应带有旅行者实地记录的感觉，而不是广告标题。确保所有文字拼写准确，不添加无关的口号、品牌或装饰性文案。
整体氛围如同建筑师、旅行作家或自然观察者记录的田野笔记：安静、克制、触感真实、具有地域特色，带有手工的不完美感和收藏价值。照片负责现场记录；印章则捕捉最易辨认的记忆片段。
日期应显示我输入的日期：[여기에 날짜를 입력해주세요]
避免：明显的中央分隔线、圆形印章、中式红印、邮票齿孔、火漆印、贴纸拼贴、旅游纪念品模板、光滑的矢量标志、泛化的城市图标、完整复刻所有建筑、密集的细节、幼稚的手工感、卡通风格、3D渲染、塑料质感、有光泽的数码渐变、过度饱和、过多文字、装饰堆砌，以及重绘或改动左侧的原始照片。

Please create a separate "Rubber Stamp Travel Field Notes Poster" for each photo I upload, outputting each photo individually without collage or multi-image combinations.
Overall, use a 4:3 landscape composition, dividing the frame into left and right regions, but without drawing an obvious dividing line.
The left side takes up about 58% of the frame, faithfully preserving the original photo. Accurately maintain the main subject identity, terrain, architecture, plants, people, spatial relationships, natural lighting and shadows, authentic textures, and the original color atmosphere; apply only restrained art publication-level photo color grading, and add extremely subtle, fine-grained film noise. For layout adaptation, natural cropping is allowed, but do not stretch, distort, shift, replace, or redraw the main subject.
The right side takes up about 42% of the frame, using a warm off-white aged paper as the background. The paper features subtle fibers, natural grain, light usage marks, and a matte texture, while preserving large areas of unprinted paper whitespace, making the blank space an essential part of the layout.
Analyze the original photo and extract the most location-distinctive subject outlines, architectural structures, terrain contours, plant forms, roads, shorelines, or other key visual relationships, compressing them into a small multi-color rubber stamp image.
Do not replicate every single element from the photo item by item. Retain only the minimal information necessary to instantly recognize the original location, subject, and scene relationships. Remove crowds, vehicles, dense windows, repetitive buildings, fragmented vegetation, decorative elements, and irrelevant backgrounds.
The stamp is positioned in the lower-middle of the right-side paper area, occupying only about 30%–38% of the right region's height, with ample whitespace preserved around it. The stamp must not be enlarged into a standard illustration, full landscape painting, or brand logo.
Determine the stamp's organization based on the original photo's composition:
 * Iconic architecture: Retain the most distinctive outer contours, roofs, domes, arches, towers, or main structures.
 * Mountain settlements: Compress buildings into a few terraced color blocks aligned along the terrain.
 * Coastal scenery: Retain mountain contours, settlement layers, shorelines, and sparse intermittent water ripples.
 * City panoramas: Retain the main skyline, one iconic building, and one or two layers of distant mountains.
 * Natural landscapes: Retain primary mountain forms, trees, shorelines, or road orientations.
 * Foreground occlusions: If narratively important in the original photo, retain as foreground stamp outlines.
Extract 2–4 spot inks from the original photo. Prioritize desaturated colors like carbon black, deep green, brick red, ochre yellow, slate blue, or taupe brown, but do not force a fixed palette. Preserve the most distinctive color character from the original photo, allowing only a small area of color for visual emphasis.
Render each color as a separately hand-stamped effect:
Authentic rubber stamp carving texture, hand-engraved marks, uneven line widths, contour notches, fractured edges, dry ink shortages, paper show-through, granular ink, uneven pressure, partial ghosting, and about 1–2 mm of subtle misregistration.
Allow natural misalignment between color layers; edges must not be digitally smoothed. The print should resemble a real carved stamp pressed onto aged paper, not a filtered photo, smooth vector illustration, or line-art logo.
Generate text based on the photo's location, theme, and visual imagery:
Location English name
No. Number
Three short English keywords
Gregorian calendar year
Place the text below or adjacent to the stamp in the whitespace, using a small, restrained, slightly mechanically imperfect typewriter font. The typography should evoke a traveler's field record, not an ad headline. Ensure all text is spelled accurately, without adding irrelevant slogans, brands, or decorative copy.
The overall vibe is like field notes kept by an architect, travel writer, or natural observer: quiet, restrained, tactilely real, regionally specific, with handmade imperfections and a collectible feel. The photo handles the on-site record; the stamp captures the most recognizable fragments of memory.
The date should display the date I enter: [여기에 날짜를 입력해주세요]
Avoid: Obvious central dividing lines, circular seals, Chinese red stamps, postage stamp perforations, wax seals, sticker collages, tourist souvenir templates, smooth vector logos, generic city icons, full replication of all architecture, dense detailing, childlike craftiness, cartoon style, 3D rendering, plastic textures, glossy digital gradients, oversaturation, excessive text, decorative clutter, and redrawing or altering the left-side original photo.