装甲女战士对决巨型丧尸

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格式
时长精确为30秒，画幅16:9。照片级真实感的真人超级英雄灾难场景，实时动作，电影级规模，细致的物理材质与扎实的动作。剪辑式镜头序列，切换有动机。禁止慢动作、字幕、标志或片尾字卡。

参考
图像参考：提供的双人角色设定图。两个人物都是同一位女性的两种状态，绝非两个不同角色。左侧人物定义了她精确的面部、运动型体格、不对称的绿松石色头发、耳环、纹身、金属绿松石色上衣、发光的倒三角胸部核心、短裙、链条和厚重靴子。右侧人物定义了她完成后的装甲：贴身的深青色分段金属、克制的金色边缘、青色接缝、相同的倒三角核心、封闭的棱角头盔和青色眼睛。保留这些设计与比例。以实拍现实的方式渲染她的皮肤和所有材质。
视频参考：使用提供的飞行装甲角色视频，获取速度感、陡峭俯冲、身体倾斜转弯、贴近立面的掠过、引擎尾迹以及反应式镜头追踪。按下文所述，将其真实音乐用作开场音频参考；不要推断歌曲名称，也不要添加无关歌词。

世界与空间逻辑
一座遭受毁灭的当代大都市，沐浴在烟雾缭绕的傍晚日光中。女主角从约350米的屋顶开始，屋顶边缘后方有数米清晰的助跑距离。一个约150米高的僵尸沿着前方几个街区外的宽阔大道前进。建筑物提供稳定的尺度参照。一座明显受损的写字楼矗立在僵尸身后，在开场画面中确立，并作为最终坠落的目的地保留。在各个镜头中保持屋顶、大道、僵尸和受损塔楼的位置一致。
僵尸是一具可怖的人形尸体，皮肤灰败、面部皱纹很深、眼窝凹陷、牙齿参差不齐、衣物破烂。它的四肢极其沉重：双脚踏实地压在街道上，转身时肩膀滞后，松弛的皮肉和布料随惯性摆动。现有火焰、飘散的灰烬、坠落的玻璃、破裂的水管和远处的应急灯光，在不遮挡主要动作的前提下，呈现大范围的混乱。

画面与镜头语言
高细节摄影画面，带有混合式手持DV磁带摄像机质感，以及轻微的类16mm颗粒感。保留面部、装甲与破坏细节；不要把画面降质为低分辨率噪点。亮色能量周围出现轻微的曝光摇摆，适度的高光光晕，自然的运动模糊，不完美的地平线以及反应式手部抖动。焦点延迟切换、短暂笨拙的变焦修正，以及偶尔出现的头盔局部裁切，只出现在转场期间，绝不出现在决定性的动作接触时。
屋顶视角保持手持感；空中视角采用物理上连续的追踪镜头，带有同样不完美的手持质感。镜头会在方向变化时短暂滞后，然后追赶上。避免不可能的瞬移视角、持续的翻滚和随机抖动。确保助跑、起跳、从手中挣脱、拳头接触和建筑冲击始终清晰可辨。

时间线
00:00-00:03 | 高度与威胁
以女主角第一人称视角在屋顶边缘开场。她的参考靴尖和混凝土边缘短暂占据画面底部；她不会同时作为外部人物出现。风吹起屋顶松散的尘土。她的目光向下倾斜，俯视巨大的街道峡谷，然后抬起望向巨型僵尸。僵尸迈出一步沉重的脚步，肩膀撞穿一栋建筑的转角。外立面板率先脱落，随后楼板碎块坠落，尘埃在它们身后翻滚升起。在更远处展示受损的写字楼。燃烧的街道和浓烟确立了毁灭景象。一次微小的非自主镜头修正传达眩晕感。参考音乐在高空风声和远处结构的隆隆声下立即响起。

00:03-00:06 | 轻触与首套装甲
切至女主角的全身镜头，包括双靴，她站在距屋顶边缘数步远的地方。僵尸仍可见于远处的城市中。她神情坚定，短促地吸了一口气。她用两根手指轻点中央倒三角一次。青色光芒在指尖下脉动。精细的金属结构从核心持续向外蔓延，穿过她的上身、肋部和肩膀，逐渐互锁成精确的参考装甲。变形过程起初足够缓慢，便于看清。光线映在皮肤和附近的金属上。裙子布料和松散的链条明显向内收拢，并在正在成形的髋部分段下方被包裹，而不是凭空消失。焦点短暂从她的眼睛转移到核心。精细的机械咔哒声在参考音乐下逐渐增多。

00:06-00:09 | 奔跑、起跳与一次空翻
切至宽幅侧面镜头，包含她的全身、清晰的屋顶助跑道和边缘。她完成三步快速、有目的的奔跑，同时装甲继续向她的手臂和腿部蔓延。靴部装甲在最后一次蹬地前锁定。展示踏地的脚、压缩的膝盖、有力的伸展以及与屋顶的明确分离。她跃过边缘，蜷身做一次紧凑的向前空翻，完成该旋转，然后刻意俯冲成头朝下的潜水姿态。不要出现重复翻滚、漂浮的起跳或被遮掩的发射。镜头在后期才平移，但在起跳过程中仍保留她的身体和屋顶边缘。链条和衣物已完全固定在装甲内；没有任何东西松散地拖入引擎中。

00:09-00:11 | 坠落变为飞行
沿玻璃立面的外部侧面视角。她头朝下坠落。剩余的颈部分段闭合，绿松石色头发被收拢在正在成形的头盔内，面甲最后锁定。完成的装甲与右侧参考人物一致。蓝白色足部推进器点火，随后是短促的青色掌部控制喷射。她张开双臂，改变推力方向，并沿着清晰可见的弧线拉出，转入朝僵尸的前向飞行。不要把向下运动瞬间变为水平飞行。引擎光映在窗户上；排气冲击附近的一处窗台，扬起尘土。参考音乐随飞行转换自然升起，然后在00:11完全切断，发生在第一次攻击之前。其混响尾音也须在00:11前停止。

00:11-00:14 | 首次攻击，音乐关闭
展示她渺小的装甲剪影接近巨人的上躯干，保持压倒性的体型差。在穿越其正面时，她依次精确发射两束不同的掌心能量脉冲：一束击中肩部，下一束击中上胸。每次都要展示发射、飞行与相应的冲击。短促的局部青白色闪光、焦黑的表面碎片和烟雾；不要出现巨大的不透明光云。僵尸后仰，转身朝向她，并抬起一只手。她立即侧向转开。掌部开火时，足部推进器维持飞行。现在声音完全属于画面内：尖锐的能量放电、沉重的撞击闷响、引擎的多普勒效应、风声、僵尸的咆哮，以及她在头盔内的呼吸声。

00:14-00:18 | 险些被捕获
一只巨大的手扫过她的路径。她从它下方倾斜掠过。另一只手从对面靠近，手指明显开始向她合拢。一根手指擦过她的装甲侧面，产生强烈的金属撞击声，以及一声清晰可闻的非自主喘息；她被撞入短暂而失控的旋转中。在手指完全合拢之前，掌部与足部推进器的猛烈组合将她送过仍然敞开的缝隙。那只手在她身后合拢。她绝不穿过实心的手指，也绝不在没有解释的情况下从封闭的拳头中逃脱。镜头短暂滞后，并在恢复前裁切头盔边缘。她侧面的擦痕在整部影片中保持可见。她通过主动推力修正恢复方向感，呼吸更加急促。

00:18-00:21 | 胸部光束与失去平衡
她在距离巨人一段清晰距离的前方制动，双腿分开支撑，足部推进器倾斜以抵消后坐力。倒三角在短暂蓄力期间向白色核心增强。一道强烈的青白色胸部光束击中僵尸的上胸。保留明亮的光束核心，以及其周围清晰可辨的剪影。反射光扫过附近的玻璃和烟雾。巨人的上身向后倾斜；它迈出一步恢复重心，但脚跟踩在现有的瓦砾堆上，立足点变得不稳。光束使其失衡，而非将其气化。她的身体明显因后坐力而紧绷，引擎负荷加重，呼吸因用力而从紧咬的牙关中迸出。光束在她开始下一个机动前结束。冲击点仍保留损伤与烟雾。

00:21-00:24 | 巨拳与加速
她向一侧做一次短促的倾斜弧线转向，开辟出一条通向僵尸下颌的清晰斜向接近路线。分段构件从她的右护手和前臂明显展开，形成一只体积约等于她身体大小的巨型装甲打击拳。加固构件沿前臂和肩部锁定。她身体其余部分的装甲保持完全覆盖；不要为了形成拳头而剥离躯干的装甲。专用的后向推进器在放大的护手组件上打开。此后所有镜头中拳头都保持在同一只右臂上。她将肩、肘与拳头对齐攻击向量。足部引擎与拳头推进器同时增亮，将她向上并向前加速，冲向下颌底部与侧面。由于前面的光束和失败的恢复步，僵尸仍处于失衡状态。一声上升的机械引擎尖啸取代任何音乐的铺垫。

00:24-00:25.5 | 一次决定性接触
采用清晰的侧三分之二视角，展示她的接近过程、伸展的加固右臂、拳头、下颌与巨人的肩部。一记加速的类上勾拳打击击中下颌的底部与侧面。在镜头猛然震动之前，清楚呈现真正的接触。紧凑的青色能量爆裂和被推开的尘土伴随冲击，但不遮挡它。头部旋转，肩部随之跟进，已经失衡的巨人开始向后倾倒。她在接触时同样减速，然后在推力作用下向侧面脱离，越过倒下的躯体。不要出现第二次打击、回放、接触前的切换镜头，或毫不费力地穿过头骨。通过推进器推力、支撑、冲击和后果来传达虚构的力量，而不是无法解释的尺度变化。

00:25.5-00:29 | 倒下与坍塌
切至来自相邻屋顶的宽幅视角，保持已确立的受损塔楼位于僵尸身后。它的上背部和肩部猛撞在塔楼的上部结构上。在尘埃遮蔽画面之前，展示身体与建筑的接触。立面弯曲，支撑楼板逐层失效，庞大的躯体随着坍塌的结构继续向下。玻璃率先喷出，较重的混凝土随后以弹道弧线飞落，尘埃从下层楼层被向外挤出。靠近底部的现有燃烧区域会出现少量次生火团，并与坠落的碎片相关联；不要让每一块混凝土碎片都爆炸。女主角飞离坍塌路径。镜头为容纳庞大的坠落而进行一次略显笨拙的拉远，并伴随延迟的地平线修正。保留足够的可见度，使观众能理解躯体、塔楼以及坍塌的方向。

00:29-00:30 | 精疲力竭的幸存者
女主角悬停在前景中，身体略微侧向，巨人的右拳仍附着在她身上，沉重地垂挂着。短促的校正性引擎脉冲维持她的位置。持续存在的侧面擦痕冒出一缕微弱的烟。她的呼吸沉重而贴近，没有任何对白。她身后，那座同样被毁的塔楼仍在继续下沉，僵尸仍倒卧在废墟之中。一股尘埃波前在画面下方滚动而过。以持续的物理余波结束，而不是胜利姿势、片名或音乐提示音。

音频指导
当支持参考音频复用时，使用提供的实际视频音乐作为00:00-00:11的音源。保留其音乐特征，不要编造声称的标题、类型或歌词。选择一段连续的开场片段，以支持屋顶揭示、装甲激活与起跳。让编曲保持可辨认，同时确保触碰、装甲机构与引擎点火声清晰可闻。若无法精确复用，则将所提供的音频本身作为音乐参考；不要声称完全匹配某首曲目。
从00:11到00:30：绝对没有音乐，包括打击乐床、持续音、音乐渐强或返回的主题曲。所有张力都来自场景内部的声音。使用分层的、具有物理依据的音效：轻微的金属装甲咔嗒声、分段锁定机构、带有明亮电弧感的蓝色推进器点火与强劲的空气推力、快速掠过的多普勒效应、尖锐局部化的掌部放电、持续的胸部光束放电、沉重的血肉与金属撞击、混凝土断裂、玻璃倾泻、深沉的结构性崩塌以及粗粝的尘埃移动。将每次主要攻击在声音上彼此区分，使其不会变成持续而无差别的噪音。
她的用力必须可以听见：跳跃前的受控呼吸，被撞击时的非自主喘息，胸部光束期间的吃力呼吸，最后一拳时的短促用力哼声，以及结尾时精疲力竭的呼吸。这些都是人类的非语言发声，带有轻微的封闭头盔声学效果，绝不带有色情意味或夸张表现。不需要口语对白。遥远的破坏应有适当的闷响与轻微的传播延迟；近距离冲击保持即时。为最后一击赋予尖锐的瞬态、厚重的躯体感，以及滚动的城市回声，随后是更大的建筑坍塌。保持动态范围与可懂度；不要出现削波音频，也不要持续处于最大音量。

连续性与真实感
一位女性、一个僵尸、一次胸部激活、一次起跳、一次空翻、两次掌部射击、一次胸部光束攻击、一只放大的右拳，以及一次最终打击。装甲组装逐步推进，不重置。女主角在动力飞行之前已完全装甲化。头发与松散配件始终被包裹，镜头之间不得抹去。侧面损伤持续存在。胸部光束在拳头攻击之前结束。推进器应清楚解释加速、制动与姿态变化。拳头在最后一个镜头中保持附着。僵尸不稳的立足点、下颌打击与向后倒下，构成一条连续的因果链。被毁的结构保持被毁，倒下的物体不会以完好状态重新出现。能量效果照亮真实表面，碎片有重量，烟雾随气流摆动，女主角相对巨人与城市始终保持人类尺寸。禁止卡通式阴影、塑料质感的皮肤、橡胶质感的装甲、任意物体复制、多余肢体、面容改变、尺度漂移、瞬移、血液喷溅、无法辨认的效果过载，以及画面中出现摄影器材。

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FORMAT
Exactly 30 seconds, 16:9. Photorealistic live-action superhero disaster sequence, real-time action, cinematic scale, detailed physical materials and grounded motion. Edited sequence with motivated cuts. No slow motion, captions, logos or end card.

REFERENCES
Image reference: the supplied two-figure character sheet. Both figures depict ONE woman in two states, never two separate characters. The left figure defines her exact face, athletic physique, asymmetrical turquoise hair, earrings, tattoos, metallic turquoise top, glowing inverted triangular chest core, short skirt, chains and heavy boots. The right figure defines her completed armor: fitted dark teal segmented metal, restrained gold edges, cyan seams, the same inverted triangular core, enclosed angular helmet and cyan eyes. Preserve these designs and proportions. Render her skin and every material as photographed reality.
Video reference: use the supplied flying armored-character video for the feeling of speed, steep dives, body banking, close facade passes, engine trails and reactive camera pursuit. Use its actual music as the opening audio reference, as specified below; do not infer a song title or add unrelated lyrics.

WORLD AND SPATIAL LOGIC
A devastated contemporary metropolis in smoky late-afternoon daylight. The heroine starts on a roughly 350-meter rooftop with several meters of clear run-up behind its edge. A roughly 150-meter zombie advances along a broad avenue a few blocks ahead. Buildings provide stable scale references. A visibly damaged office tower stands behind the zombie, established in the opening view and retained as the final fall destination. Keep the rooftop, avenue, zombie and damaged tower in consistent positions across cuts.
The zombie is a terrifying humanoid corpse with weathered gray skin, deep facial creases, sunken eyes, uneven teeth and torn clothing. Its limbs have immense weight; feet load the street, shoulders lag behind turns, loose flesh and cloth follow inertia. Existing fires, drifting ash, falling glass, broken water pipes and distant emergency lights establish widespread chaos without obscuring the main action.

IMAGE AND CAMERA LANGUAGE
High-detail photographic imagery with a hybrid handheld DV tape-camcorder feel and subtle 16mm-like grain. Preserve face, armor and destruction detail; do not degrade the image into low-resolution noise. Slight exposure hunting around bright energy, modest highlight bloom, natural motion blur, imperfect horizon and reactive hand shake. Delayed focus pulls, brief clumsy zoom corrections and occasional partial helmet cropping occur during transitions, never during decisive action contacts.
Rooftop views feel handheld; aerial views use a physically continuous pursuing camera with the same imperfect handheld character. The camera briefly lags behind direction changes and catches up. Avoid impossible teleporting viewpoints, constant barrel rolls or random shaking. Keep the run-up, takeoff, escape from the hand, punch contact and building impact readable.

TIMELINE
00:00-00:03 | THE HEIGHT AND THE THREAT
Open in the heroine's first-person view at the rooftop edge. The tips of her reference boots and the concrete lip briefly occupy the bottom of frame; she is not simultaneously visible as an external figure. Wind lifts loose rooftop dust. Her gaze tilts down into the immense street canyon, then rises toward the giant zombie. The zombie takes one ponderous step and shoulders through the corner of a building. Facade panels detach first, floor fragments fall next, then dust billows behind them. Show the damaged office tower farther behind it. Burning streets and smoke establish devastation. A small involuntary camera correction conveys vertigo. Reference music begins immediately beneath high-altitude wind and distant structural rumbles.

00:03-00:06 | THE TAP AND THE FIRST ARMOR
Cut to a full-body view of the heroine, including both boots, standing several strides from the roof edge. The zombie remains visible in the distant city. Determined expression, a short breath. She lightly taps the central inverted triangle once with two fingers. Cyan light pulses beneath her fingertips. Fine metallic structures spread continuously outward from the core across her top, ribs and shoulders, gradually interlocking into the exact reference armor. The transformation initially advances slowly enough to read. Light reflects on skin and nearby metal. Skirt fabric and loose chains visibly draw inward and become enclosed beneath the forming hip segments rather than vanishing. Focus briefly transfers from her eyes to the core. Delicate mechanical ticks build beneath the reference music.

00:06-00:09 | RUN, TAKEOFF AND ONE SOMERSAULT
Cut to a wide side view containing her full body, the clear rooftop run-up and the edge. She takes three fast purposeful running strides while armor continues spreading over her arms and legs. Boot armor locks before the final push. Show planted foot, compressed knee, forceful extension and clear separation from the rooftop. She jumps beyond the edge, tucks into ONE compact forward somersault, completes that rotation, then deliberately pitches into a headfirst dive. No repeated flip, floating takeoff or concealed launch. The camera pans late but retains her body and the roof edge through takeoff. Chains and clothing are fully secured inside the armor; nothing trails loose into the engines.

00:09-00:11 | FALL BECOMES FLIGHT
External side view down the glass facade. She falls headfirst. Remaining neck segments close, turquoise hair is gathered inside the forming helmet, and the faceplate locks last. The completed suit matches the right-hand reference figure. Blue-white sole thrusters ignite, followed by short cyan palm-control jets. She opens her arms, changes thrust direction and follows a visible curved pullout into forward flight toward the zombie. Do not change downward motion into horizontal flight instantaneously. Engine light reflects in the windows; exhaust pushes dust from a nearby ledge. Reference music rises naturally with the flight transition, then cuts completely at 00:11, before the first attack. Its reverb tail also stops by 00:11.

00:11-00:14 | FIRST ATTACK, MUSIC OFF
Show her tiny armored silhouette approaching the giant's upper torso, preserving the overwhelming size difference. While moving across its front, she fires exactly two distinct palm-energy pulses in sequence: one strikes the shoulder, the next the upper chest. Show emission, travel and the corresponding impact for each. Brief localized cyan-white flashes, scorched surface fragments and smoke; no enormous opaque light cloud. The zombie recoils, turns toward her and raises a hand. She banks away immediately. Sole thrust sustains flight while the palms fire. Sound is now entirely diegetic: sharp energy discharges, deep impact thumps, engine Doppler, wind, the zombie's roar and her breathing inside the helmet.

00:14-00:18 | THE NEAR CAPTURE
One massive hand sweeps across her path. She banks beneath it. The other hand approaches from the opposite side, fingers visibly beginning to close around her. A finger clips the side of her armor, producing a hard metallic impact and an audible involuntary gasp; she is knocked into a short uncontrolled rotation. Before the fingers fully close, a sharp combination of palm and sole thrust sends her through the still-open gap. The hand closes BEHIND her. She never passes through solid fingers and never escapes a sealed fist without explanation. Camera briefly lags and crops the helmet edge before recovering. The scrape on her side remains visible for the rest of the film. She regains orientation through active thrust corrections, breathing harder.

00:18-00:21 | CHEST BEAM AND LOSS OF BALANCE
She brakes at a clear distance in front of the zombie, legs braced apart, sole thrusters angled to resist recoil. The inverted triangle intensifies toward a white center during a short charge. A powerful cyan-white chest beam strikes the zombie's upper chest. Preserve a bright beam core and readable silhouettes around it. Reflected light sweeps across nearby glass and smoke. The giant's upper body leans backward; it takes a recovery step, but its heel lands on an existing rubble pile and its footing becomes unstable. The beam destabilizes it rather than vaporizing it. Her body visibly strains against recoil, engines labor, breath escapes through clenched effort. The beam ends before she begins the next maneuver. Damage and smoke remain at its impact point.

00:21-00:24 | THE ENORMOUS FIST AND ACCELERATION
She makes a short banking arc to one side, opening a clear diagonal approach to the zombie's jaw. Nested segments visibly deploy from her RIGHT gauntlet and forearm into an enormous armored striking fist approximately the size of her body. Reinforcing members lock along the forearm and shoulder. The rest of her suit remains fully covered; do not strip armor from her torso to form the fist. A dedicated rear-facing booster opens on the enlarged gauntlet assembly. Keep the fist on the same right arm for all remaining shots. She aligns shoulder, elbow and fist with the attack vector. Sole engines and fist booster brighten together, accelerating her upward and forward toward the underside and side of the jaw. The zombie remains off balance from the preceding beam and failed recovery step. A rising mechanical engine scream replaces any musical buildup.

00:24-00:25.5 | ONE DECISIVE CONTACT
Use a clean side three-quarter view showing her approach, extended reinforced right arm, fist, jaw and the giant's shoulders. ONE accelerating uppercut-like strike connects with the underside and side of the jaw. Show the actual contact clearly before the camera jolts. A compact cyan energy burst and displaced dust accompany the impact without hiding it. The head rotates, shoulders follow, and the already unstable giant begins toppling backward. She also decelerates at contact, then peels away sideways under thrust, clearing the falling body. No second hit, replay, cutaway before contact or effortless passage through the skull. Convey fictional power through booster thrust, bracing, impact and consequences, not unexplained changes of scale.

00:25.5-00:29 | THE FALL AND COLLAPSE
Cut to a wide view from a neighboring rooftop, keeping the already established damaged tower behind the zombie. Its upper back and shoulder slam into the tower's upper structure. Show body-to-building contact before dust obscures the scene. Facade buckles, supporting floors fail progressively, and the enormous body continues downward with the collapsing structure. Glass ejects first, heavier concrete follows in ballistic arcs, and dust is forced outward from lower floors. A few secondary firebursts occur in the existing burning zone near the base, tied to falling debris; do not make every concrete fragment explode. The heroine flies clear of the collapse path. The camera makes one awkward zoom-out to fit the immense fall, with a delayed horizon correction. Retain enough visibility to understand the body, tower and direction of collapse.

00:29-00:30 | EXHAUSTED SURVIVOR
The heroine hovers in the foreground, slightly side-on, the giant right fist still attached and hanging heavily. Short corrective engine pulses hold her position. The persistent side scrape emits a faint wisp of smoke. Her breathing is heavy and close, with no speech. Behind her, the same ruined tower continues settling and the zombie remains down within the wreckage. A dust front rolls across the lower frame. End on continuing physical aftermath, not a victory pose, title or musical sting.

AUDIO DIRECTION
Use the actual supplied video's music as the source for 00:00-00:11 when reference-audio reuse is supported. Preserve its musical identity rather than inventing a claimed title, genre or lyrics. Select a continuous opening excerpt that supports the rooftop reveal, armor activation and jump. Let the arrangement remain recognizable while keeping tap, armor mechanisms and engine ignition audible. If exact reuse is unavailable, use the supplied audio itself as the musical reference; do not claim an exact track match.
From 00:11 through 00:30: ABSOLUTELY NO MUSIC, including percussion beds, drones, musical risers or returning end themes. All tension comes from sound within the scene. Use layered physically motivated effects: light metallic armor clicks, segmented locking mechanisms, blue-thruster ignition with a bright electrical edge and powerful air thrust, fast flyby Doppler, sharply localized palm discharges, a sustained chest-beam discharge, heavy flesh-and-metal impact, concrete fracture, glass showers, deep structural failures and gritty dust movement. Separate each major attack sonically so they do not become constant undifferentiated noise.
Her exertion must be audible: controlled breath before jumping, an involuntary gasp when clipped, strained breath during the chest beam, a brief effort grunt with the final punch, and exhausted breathing at the end. These are human nonverbal vocalizations with a subtle enclosed-helmet acoustic, never erotic or exaggerated. No spoken dialogue is needed. Distant destruction has appropriate muffling and slight propagation delay; close impacts remain immediate. Give the final impact a sharp transient, heavy body and rolling city reflections, followed by the larger building collapse. Preserve dynamic range and intelligibility; no clipped audio or nonstop maximum loudness.

CONTINUITY AND REALISM
One woman, one zombie, one chest activation, one jump, one somersault, two palm shots, one chest-beam attack, one enlarged right fist and one final punch. Armor assembly progresses without resets. The heroine is fully armored before powered flight. Hair and loose accessories are enclosed, never erased between shots. The side damage persists. The chest beam stops before the fist attack. Thrusters visibly explain acceleration, braking and attitude changes. The fist remains attached through the final shot. The zombie's unstable footing, jaw strike and backward fall form one continuous causal chain. Destroyed structures stay destroyed and fallen objects do not reappear intact. Energy effects illuminate real surfaces, debris has weight, smoke responds to airflow, and the heroine remains human-sized against the giant and city. No cartoon shading, plastic skin, rubber armor, arbitrary object duplication, extra limbs, changing face, scale drift, teleportation, blood spray, unreadable effect overload or camera equipment on screen.