让照片延展成另一个世界的拼贴

竖版 3:4 画布严格分成上下两个等大的水平区域：上半部分 50%，下半部分 50%。上半部分保持摄影质感；下半部分变为延伸出的第二世界。两者合在一起必须呈现为同一个场景。

上半部分

忠实保留照片。保留主体、姿势、空间关系、色彩氛围和自然光线。不要重新设计、重绘、替换或重新布景。只允许必要的等比例裁切。

连续性（最高优先级）

找出一个自然延伸至画面中央分界线的源结构：道路、海岸线、水面、倒影、树枝、光束、建筑结构或身体动作。这个结构必须穿过分界线并延伸至下半部分。第二世界从照片本身开始，因此同一场景穿过接缝，只是物理规则发生变化。

过渡边缘

中央可以采用不规则的撕纸边缘，但撕口必须沿着源结构，绝不能只是装饰。源元素可以触及边缘、沿边缘延伸、穿过边缘或伸出边缘。不要把同一种撕口形状强加到每张图上。

第二世界

下半部分

象牙白纸张，带有细微纤维纹理和充足的留白。从所选结构与分界线相接的准确位置向下延续它，再用克制的照片碎片、剪纸形状和极简黑色手绘线条重新诠释。下方世界必须看得出与上方相连。除非明确源自照片，否则绝不要把它孤立成一个独立的入口、窗口、舞台、平台或漂浮的小场景。

第二世界的逻辑

思考：如果这个结构可以触摸、使用、进入或改变，它自然会变成什么？设计一个专属于这张图的互动方式。例如，水面可以在被拉动时仍保持连接；道路可以延续成一条绘制的路径；光线可以变成可握在手中的东西。不要机械地重复动作。

人物

仅在有用时添加 0-3 个微小的黑色线描人物。他们必须与延续的结构发生实际互动。如果照片中已经有鲜明的人物动作，就不要添加人物。绝不要把人物当作装饰。

世界

题注

根据动作写一句简短的手写英文题注（2-6 个词）。自然、轻松，略带机智。拼写正确。不要写励志语录，也不要套用固定的“同样的……不同的……”句式。

风格

上方采用真实摄影质感，下方使用温暖的纸张、极简黑色线条涂鸦和细腻的手工拼贴纹理，营造独立杂志氛围。明亮、轻盈、克制。画面应让人觉得第二世界原本就藏在照片里，只是向下延伸了。

负面要求

不要出现与上方脱离的下半部分插画、通用撕纸模板、孤立的入口、无关的小场景、断裂的连续性、密集插画、随意装饰、人群、被改变的照片色彩、上方图像被重新设计、光亮的 3D 效果、杂乱的剪贴簿元素、乱码、水印、标志或用户界面。

Vertical 3:4 canvas split into two strictly equal horizontal halves: top 50% and bottom 50%. The upper half stays photographic; the lower half becomes the continued Second World. Together they must read as one scene.

the

UPPER HALF

Keep the photo faithful. Preserve the subject, pose, spatial relationships, color atmosphere, and natural light. Do not redesign, repaint, replace, or restage it. Only necessary proportional

cropping is allowed.

CONTINUITY (highest priority)

Identify one source structure that naturally reaches the center split: a road, shoreline, water, reflection, branch, beam of light, piece of architecture, or body movement. This structure must cross the boundary and continue into the lower half. The Second World begins from the photograph itself, so the same scene passes through the seam and simply changes its physical rules.

TRANSITION EDGE

The center may use an irregular torn-paper edge, but the tear must follow the source structure, never act as decoration. Source elements may touch, follow, break through, or extend beyond edge. Never force the same tear shape onto every image.

The Second World

LOWER HALF

Ivory paper with subtle fibers and abundant negative space. Continue the chosen structure downward from the exact point where it meets the split, then reinterpret it with restrained photo fragments, cut-paper forms, and minimal black hand-drawn lines. The lower world must stay visibly attached Never isolate it as a separate portal, window, stage, platform, or floating vignette unless it clearly comes from the photo.

SECOND WORLD LOGIC

Ask: if this structure became touchable, usable, enterable, or changeable, what would it naturally become? Create one image-specific interaction. For example, water may stay attached while being pulled, a road may continue as a drawn path, or light may become something held. Do not repeat actions mechanically.

FIGURES

Add 0-3 tiny black line figures only when useful. They must physically interact with the continued structure. If the photo already contains strong human action, add none. Never use figures as decoration.

World

CAPTION

One

short handwritten English caption (2-6 words) based on the action. Natural, light, slightly witty. Spell it correctly. No inspirational quotes and no fixed "Same..., different..." phrasing.

STYLE

Real photography above, warm paper below, minimal black line doodles, subtle handmade collage texture, independent-magazine mood. Bright, airy, restrained. It should feel as if the Second already hidden inside the photo and simply continued downward.

was

NEGATIVE

No detached lower-half illustration, no generic torn-paper template, no isolated portal, no unrelated vignette, no broken continuity, no dense illustration, no random decoration, no crowd, altered photo colors, no redesign of the upper image, no glossy 3D, no scrapbook clutter, no gibberish text, no watermark, no logo, no UI.