照片延展的第二世界海报

为每张照片独立生成。  {   "name": "第二世界",   "version": "1.2",   "task": "将每张上传的照片作为独立来源，为每张照片生成一张完整海报。不要将多张照片合并到同一画布上。",   "output": {     "aspect_ratio": "3:4",     "orientation": "竖版",     "one_poster_per_photo": true,     "layout": "画布在精确的 50% 高度处水平分割，上下部分各占 50%，宽度相同",     "no_mockup": true   },   "core_principle": "第二世界已经隐藏在照片中。让同一场景穿过中线并向下延续，只改变下半部分的物理规则。跨越边界的结构连续性是最高视觉优先级。",   "upper_half": {     "source": "当前上传的照片",     "preserve": [       "主体身份与外观",       "人物姿势、表情与动作",       "空间关系、比例与透视",       "原始色彩氛围",       "自然光线与阴影",       "环境与重要细节"     ],     "allowed_change": "仅进行适应上半部分所必需的比例裁切，避免截断关键主体或连接结构",     "forbidden": [       "重新设计照片",       "重新绘制或替换主体",       "重新排列人物与物体",       "改变照片的色彩",       "虚构的光线或背景"     ],     "fidelity_rule": "优先直接复用原始照片；不要声称生成式重绘能够无损保留原图。如果工具无法同时满足原图保留和精确布局，请说明限制——不要降低要求后声称完全符合。"   },   "continuity": {     "choose_one_source_structure": "从原始照片中识别一种能够自然延伸至中线的结构，例如道路、海岸线、水面、倒影、树枝、光束、建筑线条、衣物流动或身体动作",     "requirements": [       "该结构必须在精确的中线交汇点处延续进入下半部分",       "保持方向、位置、比例和遮挡关系上可信的连续性",       "先建立可见的连接，再发展下半部分的想象",       "上下两部分必须读作同一场景，而不是两张独立图像垂直堆叠"     ],     "transition_edge": {       "optional": "允许不规则的撕纸边缘",       "rule": "撕裂必须遵循原图结构，而不只是作为装饰，并避免每张图都使用相同的撕裂形状",       "interaction": "源元素可以触碰、附着、穿过或跨越撕裂边缘"     }   },   "lower_half": {     "background": "温暖的象牙色纸张纹理，带有细微可见的纤维和丰富的留白",     "media": [       "Restrained photo fragments",       "Simple cut-paper shapes",       "Minimal black hand-drawn lines"     ],     "construction": "从上半部分的源结构与中线相交处向下延伸，然后逐渐将其重新诠释为第二世界",     "prohibited": "不要将其变成孤立的入口、窗户、舞台、平台或漂浮的小场景，除非该形态明确地从原始照片中连续生长出来",     "density": "明亮、通透、克制——避免密集的绘画或拼贴堆叠"   },   "second_world_logic": {     "question": "如果照片中的结构可以被触碰、使用、进入、折叠、拉伸或改变，它自然会变成什么？",     "interaction_count": 1,     "instruction": "每张图只建立一个具体、清晰且有趣的互动，优先从原图的形状和动作中发现可能性，而不是从固定道具或模板反向设计。",     "examples_for_logic_only": [       "水面仍与湖泊相连，同时被卷起或拉伸",       "道路延伸到纸面上，变成一条可以通过绘画继续延伸的路径",       "现有的光束向下延伸，变成某种可以轻轻握住的东西"     ],     "variation": "单独判断每件作品——不要机械地重复动作、连接结构、构图或笑点。示例不是必须包含的内容。"   },   "tiny_figures": {     "count": "0–3",     "appearance": "极简、微小的黑色线条人物",     "add_only_if": "只有当人物能够与延伸结构进行必要且明确的物理互动时才添加",     "omit_if": "如果源照片已经包含强烈的人物动作",     "forbidden": "不要将小人物作为无关装饰，也不要仅为增加活泼感而添加人群"   },   "copy": {     "language": "主要使用中文，搭配简短的英文点缀",     "main_text": "简短、机智、可爱、幽默的中文边注，或带有些许意外洞察的文字",     "english": "更短、更轻盈的英文补充；可以补充中文，无需逐字翻译",     "intent": "让观众先看到图像、再看到小字后会心一笑，或突然理解多一层含义",     "requirements": [       "根据这张照片与第二世界之间的具体互动重新创作",       "不要只是命名动作或机械地描述图像",       "可以包含拟人化、轻微反差、冷面小笑话或温和的自嘲",       "可以带有当头棒喝的感觉，但不要上升到宏大的人生道理",       "不要强行套用自爱、励志或情绪安慰模板",       "幽默针对情境，不贬低人物的外貌、身份或处境"     ],     "avoid": [       "模糊的励志空话",       "宏大道理",       "说教感",       "广告口号",       "无关的网络梗",       "固定的“同样……不同……”句式",       "为每张图重复使用相同文案"     ],     "examples_for_tone_only": [       {         "context": "Taking away the sunset",         "chinese": "这个不算超重吧",         "english": "just a little sunset"       },       {         "context": "Rolling the lake surface into a paper ribbon",         "chinese": "不用袋子，我卷着走",         "english": "no bag, thanks"       },       {         "context": "Shadow rolled into a bed corner",         "chinese": "影子先躺了，我再走会儿",         "english": "five more minutes"       }     ],     "example_rule": "只借鉴幽默机制——不要把示例句固定套用到新作品中。"   },   "handwriting": {     "scale": "小号边注，英文更小——不要用巨大的标题夺走场景焦点",     "placement": "放在自然留白处，不遮挡主体、跨边界连接点或关键互动",     "chinese": "真正自然、略显凌乱的手写字，不要像整齐的电脑生成字体",     "english": "同样像随手涂写，轻松且不规则",     "details": [       "字符大小略有变化",       "基线有轻微起伏",       "倾斜角度并不完全一致",       "间距自然变化",       "笔画带有力度变化和停顿",       "极少量重叠或不完整的墨迹痕迹"     ],     "corrections": {       "allowed": true,       "frequency": "仅偶尔出现——不要求每张图都有",       "method": "可以轻轻划掉写错或修改的词，并在旁边或上方添加正确版本",       "limit": "通常最多出现 1–2 处——不要让整页变成反复涂写的草稿",       "legibility": "最终含义必须清晰——不要用乱码或无意义的错误来模拟手写"     }   },   "overall_style": {     "mood": [       "独立杂志气质",       "明亮通透",       "温暖的纸张纹理",       "克制",       "轻微幽默",       "细微的手作痕迹"     ],     "hierarchy": [       "原始照片与跨边界结构",       "下半部分清晰的互动",       "小号双语手写边注"     ],     "finish": "像是在照片中轻轻揭开一个隐藏的世界，而不是在照片下方粘贴额外插图"   },   "negative_prompt": [     "脱离关系的下半部分插画",     "断裂的跨边界连续性",     "通用撕纸模板",     "孤立的入口或窗户",     "无关的小场景",     "密集的插画",     "随机装饰",     "装饰性人群",     "改变原始照片色彩",     "重新设计上方照片",     "光泽感 3D",     "剪贴簿式杂乱",     "巨大标题",     "整齐的印刷体手写字",     "毫无意义的文字",     "励志空话",     "水印",     "标志",     "用户界面元素",     "合并多张照片",     "网格布局"   ],   "final_check": [     "每张原图是否对应一张独立的 3:4 海报？",     "上下部分是否严格各占 50%？",     "上半部分的原始照片是否得到忠实保留，仅进行了必要裁切？",     "是否有一个真实的源结构准确地在中线处延续？",     "下半部分是否属于与原图相同的场景，而不是孤立的插画？",     "是否只有一个清晰、自然且不重复的模板化互动？",     "中文是否有趣且耐人寻味，而不只是简单的动作标签或说教？",     "中英文是否都以小号、自然、凌乱且易读的手写字呈现？",     "是否保留了足够的留白？"   ] }  注意：以上是目标要求；生成结果仍需检查原图保留、接缝和文字——不要将生成式重绘视为对原图的无损保留。

Generate independently for each photo.  {   "name": "Second World",   "version": "1.2",   "task": "Using each uploaded photo as an independent source, generate one complete poster per photo. Do not merge multiple photos onto the same canvas.",   "output": {     "aspect_ratio": "3:4",     "orientation": "vertical",     "one_poster_per_photo": true,     "layout": "Canvas horizontally divided at exactly 50% height, with upper and lower sections each occupying 50%, same width",     "no_mockup": true   },   "core_principle": "The Second World is already hidden in the photo. Let the same scene pass through the midline and continue downward, changing only the physical rules in the lower half. Continuity of the cross-boundary structure is the highest visual priority.",   "upper_half": {     "source": "The current uploaded photo",     "preserve": [       "Subject identity and appearance",       "Character poses, expressions, and actions",       "Spatial relationships, proportions, and perspective",       "Original color atmosphere",       "Natural lighting and shadows",       "Environment and important details"     ],     "allowed_change": "Only necessary proportional cropping to fit the upper half, avoiding cutting off key subjects or connection structures",     "forbidden": [       "Redesigning the photo",       "Redrawing or replacing the subject",       "Rearranging characters and objects",       "Changing the photo's colors",       "Fictional lighting or background"     ],     "fidelity_rule": "Prioritize directly reusing the original photo; do not claim generative redrawing as lossless preservation of the original. If the tool cannot meet original preservation and precise layout, state the limitations—do not lower requirements and claim full compliance."   },   "continuity": {     "choose_one_source_structure": "Identify a structure from the original photo that can naturally extend to the midline, such as a road, shoreline, water surface, reflection, tree branch, light beam, architectural line, clothing flow, or body movement",     "requirements": [       "The structure must continue into the lower half at the exact midline meeting point",       "Maintain believable continuity in direction, position, scale, and occlusion relationships",       "Establish a visible connection first, then develop the lower half's imagination",       "Both halves must read as the same scene, not like two independent images stacked vertically"     ],     "transition_edge": {       "optional": "Allow irregular torn paper edges",       "rule": "Tearing must follow the original image's structure, not just as decoration, and avoid using the same tearing shape for every image",       "interaction": "Source elements can touch, cling to, pass through, or cross over the torn edge"     }   },   "lower_half": {     "background": "Warm ivory paper texture, with subtle visible fibers, rich negative space",     "media": [       "Restrained photo fragments",       "Simple cut-paper shapes",       "Minimal black hand-drawn lines"     ],     "construction": "Extend downward from where the upper half's source structure meets the midline, then gradually reinterpret it as the Second World",     "prohibited": "Do not turn it into an isolated entrance, window, stage, platform, or floating vignette, unless the form clearly grows continuously from the original photo",     "density": "Bright, airy, restrained—avoid dense drawing or collage buildup"   },   "second_world_logic": {     "question": "If the structure in the photo could be touched, used, entered, folded, stretched, or changed, what would it naturally become?",     "interaction_count": 1,     "instruction": "Establish only one specific, clear, and interesting interaction per image, prioritizing possibilities discovered from the original image's shapes and actions, not reverse-engineering from fixed props or templates.",     "examples_for_logic_only": [       "Water surface remains connected to the lake while being rolled up or stretched",       "Road extends onto the paper, becoming a path that can be continued by drawing",       "An existing light beam extends downward, becoming something gently graspable"     ],     "variation": "Judge each work individually—do not mechanically repeat actions, connection structures, compositions, or jokes. Examples are not required content."   },   "tiny_figures": {     "count": "0–3",     "appearance": "Minimalist, tiny black line figures",     "add_only_if": "Figures can engage in necessary and explicit physical interaction with the extending structure",     "omit_if": "Source photo already contains strong human actions",     "forbidden": "Using little figures as irrelevant decorations or adding crowds just for liveliness"   },   "copy": {     "language": "Primarily Chinese, paired with a short English accent",     "main_text": "A short, witty, cute, humorous Chinese marginal note, or one with a slight surprising insight",     "english": "Shorter, lighter English supplement; can complement the Chinese without word-for-word translation",     "intent": "Make viewers smile knowingly after seeing the image and then the small text, or suddenly understand one more layer",     "requirements": [       "Recreate based on this photo's specific interaction with the Second World",       "Don't just name the action or mechanically describe the image",       "Can include anthropomorphism, slight contrasts, deadpan little jokes, or gentle self-deprecation",       "Can have a wake-up-call vibe, but no grand life lessons",       "Don't force self-love, motivational, or emotional comfort templates",       "Humor targets the situation, without belittling characters' appearance, identity, or circumstances"     ],     "avoid": [       "Vague inspirational fluff",       "Grand maxims",       "Preachiness",       "Ad slogans",       "Irrelevant internet memes",       "Fixed 'same..., different...' sentence structures",       "Reusing the same copy for every image"     ],     "examples_for_tone_only": [       {         "context": "Taking away the sunset",         "chinese": "这个不算超重吧",         "english": "just a little sunset"       },       {         "context": "Rolling the lake surface into a paper ribbon",         "chinese": "不用袋子，我卷着走",         "english": "no bag, thanks"       },       {         "context": "Shadow rolled into a bed corner",         "chinese": "影子先躺了，我再走会儿",         "english": "five more minutes"       }     ],     "example_rule": "Borrow only the humor mechanism—do not fix example sentences into new works."   },   "handwriting": {     "scale": "Small marginal notes, English even smaller—no huge titles stealing the scene",     "placement": "In natural white space, not obscuring subjects, cross-boundary connection points, or key interactions",     "chinese": "Truly natural, slightly messy handwriting, not neat computer-generated script",     "english": "Similarly like casually scribbled, relaxed and irregular",     "details": [       "Slight variations in character size",       "Baseline with minor undulations",       "Tilt angles not perfectly consistent",       "Natural variations in spacing",       "Strokes with pressure and pauses",       "Minimal overlapping or incomplete ink traces"     ],     "corrections": {       "allowed": true,       "frequency": "Occasional only—not required for every image",       "method": "Can gently strike through a mistaken or revised word, adding the correct version nearby or above",       "limit": "Usually at most 1–2 instances—don't turn the whole page into a repeatedly scribbled draft",       "legibility": "Final meaning must be clear—no simulating handwriting with gibberish or meaningless errors"     }   },   "overall_style": {     "mood": [       "Indie magazine vibe",       "Bright and airy",       "Warm paper texture",       "Restrained",       "Lightly humorous",       "Subtle handmade traces"     ],     "hierarchy": [       "Original photo and cross-boundary structure",       "Clear interaction in the lower half",       "Small bilingual handwritten marginal notes"     ],     "finish": "Like gently unveiling a hidden world in the photo, not pasting an extra illustration below it"   },   "negative_prompt": [     "Detached lower-half illustrations",     "Broken cross-boundary continuity",     "Generic torn-paper templates",     "Isolated entrances or windows",     "Irrelevant vignettes",     "Dense illustrations",     "Random decorations",     "Decorative crowds",     "Altering original photo colors",     "Redesigning the upper photo",     "Glossy 3D",     "Scrapbook clutter",     "Huge titles",     "Neat printed-style handwriting",     "Nonsensical text",     "Motivational fluff",     "Watermarks",     "Logos",     "UI elements",     "Merging multiple photos",     "Grid layouts"   ],   "final_check": [     "Does each original image correspond to one independent 3:4 poster?",     "Do upper and lower sections strictly each occupy 50%?",     "Is the upper half's original photo faithfully preserved, with only necessary cropping?",     "Is there one authentic source structure accurately continuing at the midline?",     "Does the lower half belong to the same scene as the original image, not an isolated illustration?",     "Is there only one clear, natural, and non-repetitive templated interaction?",     "Is the Chinese interesting and lingering, not just a simple action label or preachiness?",     "Are the Chinese and English in small, natural, messy, and readable handwriting?",     "Is sufficient negative space preserved?"   ] }  Note: The above are target requirements; generated results still need checking for original image preservation, seams, and text—do not treat generative redrawing as lossless original preservation.