真实照片与复古半色调旅行拼贴海报

将这张人像照片变成一张高端半色调旅行拼贴海报。每张上传的照片输出一张海报——绝不要把多张照片合并到同一个画面中。
格式

3:4 竖版画布。分成大致相等的两个区域——上方是真实照片，下方是印刷拼贴——中间用一条干净、锐利的水平线分隔。不要为了强行适配比例而拉伸、扭曲或重新摆放人物。
上半部分——真实照片

忠实保留原始照片：相同的身份、面部、表情、姿势、双手、服装、个人物品、背景结构、自然光线与阴影、原有色彩氛围。只添加轻微的高端调色和极淡的胶片颗粒。不要重绘或重新诠释人物。
下半部分——印刷重构

使用相同的暖灰色旧纸背景。将同一人物重构成印刷拼贴：撕裂的照片切片 + 等宽 ASCII 字符区域 + 复印半色调网点。

保留可辨认的面部、双手、发型、服装和一件标志性物品——拆解后仍必须能认出人物身份。
撕边照片碎片承载面部和关键结构线条；织物、阴影和背景向外渐散为 ASCII 字符、黑色半色调网点和碎裂的印刷颗粒。
质感：粗糙的白色纸纤维边缘、轻微的套印错位、旧纸污渍、几处裁切标记、一条克制的红色校准条。
色彩：暖灰色纸张 + 黑色墨水 + 照片本身低饱和的原有色彩 + 唯一的红色点缀。绝不要完全去饱和。
人物大约占画面宽度的 60–88%；始终留出 22–38% 未使用的空白纸面，让它看起来像档案印刷品，而不是塞满内容的终端屏幕。
添加一个从照片主题提取、清晰可读的等宽字体标题，再加上文字“REC. STUDY 01”和一条简短的观察性说明。可以用少量松散的 ASCII 字符描出人物边缘，仅作为纹理——绝不可用来伪造身体细节或编造规格。

氛围
早期数字系统与模拟复印相遇，再结合地下杂志风格和现代旅行编辑风格。人物应有浮现而出的感觉——一半是照片，一半是字符，一半是印刷品——克制、具有档案感，略带实验性。
避免

纯黑色终端背景、密密麻麻的代码墙、赛博朋克霓虹、完全被遮住的面部、毫无意义的随机符号、编造的技术读数、乱码假字、作者署名、品牌标志、二维码、水印。

Turn this portrait photo into a single high-end halftone travel-collage poster. Output one poster per uploaded photo — never merge multiple photos into one frame.
FORMAT

3:4 vertical canvas. Split into two roughly equal zones — real photo on top, printed collage below — divided by one clean, sharp horizontal line. Do not stretch, warp, or reposition the figure to force the proportions.
TOP HALF — THE REAL SHOT

Preserve the original photo faithfully: same identity, face, expression, pose, hands, clothing, personal items, background structure, natural light and shadow, original color mood. Add only a light high-end color grade and the faintest film grain. Do not redraw or reinterpret the person.
BOTTOM HALF — THE PRINTED RECONSTRUCTION

Same warm gray old-paper background. Rebuild the same figure as a printed collage: torn photographic slices + fixed-width ASCII character fields + photocopy halftone dots.

Keep face, hands, hairstyle, clothing, and one signature item recognizable — identity must survive the breakdown.
Torn-edge photo fragments carry the face and key structural lines; fabric, shadow, and background dissolve outward into ASCII characters, black halftone dots, and fractured print grain.
Texture: rough white paper-fiber edges, slight print misregistration, old paper stains, a couple of crop marks, one restrained red calibration bar.
Color: warm gray paper + black ink + the photo’s own muted original colors + the single red accent. Never fully desaturate.
Figure fills roughly 60–88% of the frame width — always leave 22–38% of the paper untouched and empty, so it reads as archival print, not a packed terminal screen.
Add one readable fixed-width title pulled from the photo’s theme, plus the line "REC. STUDY 01" and one short observational caption. A few loose ASCII glyphs can trace the figure’s edge as texture only — never used to fake body detail or invent specs.

MOOD

Early digital systems meets analog photocopy meets underground zine meets modern travel editorial. The figure should feel like it’s surfacing — half photograph, half character, half print — restrained, archival, a little experimental.
AVOID

Solid black terminal backgrounds, walls of dense code, cyberpunk neon, fully hidden faces, random symbols with no meaning, invented technical readouts, garbled fake text, author credits, brand logos, QR codes, watermarks.